Shea: I’m thrilled to be here, Carey. I wouldn’t miss this chance to talk about the teenage years.

CC: Tell us about your first kiss. To protect the innocent feel free to use an alias.

Shea:

My first real kiss… oh heck, please don’t think I was a skank.

Age: Thirteen. So young, but I thought I was soo smart.

Time: Mid summer. Humid and hot, hot, hot.

Guy: Let’s call him “Tex”. Older than me by about two years.

Where: Driveway.

Teen motto: When the opportunity strikes, go with it.

CC: I love that! And I don’t think you’re a skank. Heck, I kissed a boy in third grade because his dad and mine had the same occupation. *chuckle* It seemed like the right thing to do at the time. Next Question – How long were you together?

Shea: Ours was a summer love. One of those intense two-week inseparable relationships. He was visiting family and I knew his cousin.

CC: Was he a good kisser?

Shea: It was night time so it was black—the ground, the night and all the parked cars were nondescript. Heck, now that I think about it, I could have been kissing anyone that night. I could barely see.

But no, it was “Tex” because he dragged me out there, very insistent I go with him. He was leaving to go home the next day. You see, he was a summer love, there to visit family. So when he dragged me outside for a “private” talk, me being me thought he wanted to exchange numbers and addresses, you know the usual stuff. I don’t actually remember what he said to me, but it was kinda corny. And then BAM! Lip attack… and sadly no world-rocking. It was over before it really got started. I remember him being nervous. I definitely wondered what all the fuss was about after that. Only when I started dating “Jack” did I finally understand what the big deal was. “Jack” was hands down the best kisser. (sigh)

CC: How did you get over him?

Shea: There really wasn’t anything to get over. He was nice and I liked him, but he didn’t live anywhere near me and I think I only saw him one other summer after that, but by then I didn’t care. I was already with “Jack”, a friend of his cousins.

CC: Have you connected with him since then?

Shea: Nope. If that kiss had been world-rocking, I’m sure I would have written him and called and kept in touch more, but I think we only wrote a few times and then contact just faded away.

CC: Tell us about your most recent project. What role does love play in the story?

Shea: Love plays a huge part in my book THE MARKED SON—love between Dylan and Kera and love for other people who are being treated unfairly.

I love the way being in makes a person feel different, special…and sometimes out-of-control. It’s those emotions that I wanted to tap into when I wrote about Dylan and Kera. They have a once-in-a-lifetime love. It’s something they can’t deny or run away from.  

CC: Ever since Entangled revealed this cover, I’ve been a little in love with Dylan.

 

CC: Do you have any final wisdom to share with us about first loves?

Shea: I was a chronic dater when I was a teenager. I wanted to find the qualities I liked in a guy, so I went out with a lot of boys, but rarely kissed them unless I was dating them. By the time I was twenty, I knew what I wanted and what I wouldn’t put up with in a guy. I knew the qualities that were special and the ones that were a smoke screen. If a guy ever made me feel unimportant, then I knew he wasn’t the guy for me.

Life is too short to put up with a guy who treats you badly. So go with the guy whose eyes light up when he sees you. He may not be the handsomest, strongest, or most popular guy, but then again, he just might. I married the star quarterback of the football team and the golden boy of his high school. (I was shocked when I learned about his past) But you know what? He has never treated me poorly. I know without a doubt, he’ll drop everything and be by my side when I truly need him. And I’ll do the same for him.

So don’t jump into a relationship. Get to know the guy. Don’t get pressured to go fast. If he’s really worth anything, he’ll wait around. The good ones know the right girls are worth the wait. And trust me, they will wait for as long as it takes.

CC: Great advice! And I can’t wait to read The Marked Son. This is especially exciting because it’s your 2010 Golden Heart finalist project. I’ve got my copy on order and I’m hoping it gets here soon!!!

Thanks again, Shea, for stopping by to share the love.

Being an ambitious DIYer, I determined I could handle the print cover. Just like my digital to print manuscript experience, my digital to print cover experience was plagued with issues. It was complete trial and error and error and error.

Like any good indie, I did my research. I got a cover template. I did my best to absorb info about spines (so Greek to the mathematically impaired girl). I spent a couple of hours laying out my cover and I uploaded to Createspace.

I thought I did a pretty good job until CS kicked it back to me:

Files for THE HALO CHRONICLES: T…,  require your attention

The cover file does not meet our submission requirements for the reason(s) listed below:

The cover file contains live elements that may be trimmed during the production process. Please make sure that all text appears .375″ away from the outer edges. Additionally, all elements you wish to appear on the cover, such as text and graphics, need to appear within the live graphics area. Only background that can be cut off should extend through the bleed area.

The spine text is too large for the page count. We recommend reducing the font size and centering the spine text so there is at least .0625″ of room on either side. Otherwise, the spine text may wrap to the front or back cover.

 Additionally, we have noted the concerns listed below. You may choose to move forward with the below issues as-is; however, we wanted to bring them to your attention.

 The cover file contains transparency  which will be manually flattened during our processing and may cause a color shift.

 The cover file contains images that range from 70 to 93 DPI, which may appear blurry and pixelated in print. For optimal printing, we recommend all images be at least 300 DPI.

 So I tried again. I Googled how to flatten the file. I downloaded higher res images. I tweaked my layout, said a prayer, and uploaded.

Files for THE HALO CHRONICLES: T…,  require your attention

The cover file contains images at 92 DPI, which may appear blurry and pixelated in print. For optimal printing, we recommend all images be at least 300 DPI.

 Better but I still had image issues. It was one of those moments where I grudgingly admitted, “This is why people don’t do cover design on PowerPoint.” I’d spent a lot of time on my cover and still wasn’t getting the results I needed. I was behind schedule, out of my design depth and knew that I needed a professional. Problematic, since I had no budget.

One of my chapter mates, Jennette Marie Powell, is going indie in August with Time’s Enemy, a time travel romance. When she showed me her great cover, she’d mentioned her design background.

So, I approached her for help. I might have begged and pleaded a bit. Now’s the part where I give Jennette my UNDYING THANKS! She quickly fixed my resolution issues and I finally had a cover that CS accepted.

Here’s the digital eBook (my) version:

 Here’s the professional print version (Jennette had to make some minor tweaks, mostly in font):

 

Conclusion: My most important take-away is even if I want to design my own cover, I need to collaborate with a design expert for set up. For the next book, I will not hesitate to work with a professional. J

Also, I appreciated CreateSpace rejecting what would be a substandard cover with very specific feedback –for free.

 Mood: Grateful

Related topics: A Cover is a Promise

Next steps: Working on revisions for DOON

Your turn: Do you like to design your own covers?